Sony PCM D50 Digital Recorder Review.
plus, a nice "wind screen" idea.
List $599.00
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F7 Sound and Vision's Michael Oster has recorded music, thunderstorms, F-18s, wild animals, kitchen utensils, celebrities, strange insects.... He also makes the coffee and takes out the trash. ![]()
Sony PCM D50 Digital Recorder Review.
plus, a nice "wind screen" idea.
List $599.00
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A note about wind protection. I've read a few complaints about this recorder being overly sensitive to wind noise. Personally, I can't think of any condenser type of microphone that doesn't need some kind of wind protection when used outdoors.
That said, if you get the D50, you better strongly consider some kind of wind protection. Even while recording and moving position indoors, I experienced some wind noise. Not a deal breaker by any means as I've had this same thing happen using professional shotgun microphones indoors.
My actual first recording with the D50 was of a bumble bee. I followed the bee with the recorder and got within inches of said insect. The recording was beautiful until the wind from the bee's wings hit the microphones. So, I slipped on a fuzzy wind cover. Well, the bee had enough of me, so I was left with just neighborhood ambience. The wind cover knocked out most of the wind problem, but it added a good bit of bulk to my recorder (which would make stealth recording much harder to do since I now had a ball of fur in my hand - people would be asking to see my sugar glider or something).
This is where the "netting" (see the D50 image above right) comes into play. The metal "roll bars" that protect the microphones also make for a great wind screen support (at least that's my idea). I took a few inches of netting fabric called tulle (see my wind test article for more details) and double-layered it over the microphone section, securing the fabric with rubber bands. That worked, but just a little bit. Next, I added a double layer of panty hose (my wife is so understanding when it comes to my recording addiction) to the tulle layer. Much better. As much as the "furry" cover? Not quite, but it also doesn't have the bulk of the fur either. And, it is acceptable in light outdoor breezes.
I'm going to be refining this wind protection setup for the D50 and will post the updated info here.
D50 handling noise: It goes without saying that anything you're holding that has microphones in it will conduct some amount of handling noise to the microphones. The D50 does seem a little more susceptible to this, so be careful when recording with the internal microphones - or record with external microphones. Any microphone that terminates in a 1/8" stereo plug will work (as long as it has its own internal power or can operate off the D50's available plug-in power.
In the meantime, I think that if you're looking for a small "pocket" field recorder, the Sony PCM D50 should be on your list to consider. Yes, it's about $100 more than its closest competition, but that extra money buys you a step up in quality.
For detailed features, specs and all other info, visit Sony's D50 web page.
Here's a quick sound clip that I recorded with the D50. It's a woodpecker in my backyard along with some other birds. The woodpecker was high in a dead cypress tree about 100 feet away from me. Recorded at 24 bit / 44.1k. [ woodpecker sample mp3 ]
In case you missed it below on the left, I raised the gain of the recording by almost 15dB and rolled off the frequencies below 500Hz in post production.
More recordings I made with the Sony PCM D50. These mp3s were originally recorded at 24bit / 44.1 with the internal microphones.
Bird, Plane, Bird - you guessed it. A nice ambience with 2 kinds of birds and a plane overhead.
Target Baby Cry - you're riding in the shopping cart as we try to get past another cart with a youngster who's obviously not happy to be there.
Target Point of Sale - you're at the checkout counter, loving the "beep" sounds.
| This review focuses primarily on my use of the Sony PCM-D50 as a pocket field recorder. My biggest concern was sound quality, of course. But also, durability and ease of use. I neglected to include specific features of the unit that I will probably never use like "mp3 playback", "digital pitch control", or "SBM". So, while you're reading this, you might think that I left some things out. Yes, I did. On purpose. And, I reserve the right to update this review as I get more time under my belt with this recorder. |
| Sony PCM D50 / Rode NT4 combo I went outside and made a couple of quick recordings with the Sony D50 and the Rode NT4 (NT4 plugged directly into the Sony via 1/8" stereo jack - power to the NT4 was supplied by its internal 9v battery). Then, I unplugged the NT4 and recorded the same ambience with the Sony's internal microphones set to 120 degrees wide stereo. No level change was made between the recordings. I thought that the NT4 sounded a bit more detailed and natural. Though the signal seemed a little lower than the Sony D50's microphones. There was a little more high end on the Sony mics as well as a little wider stereo image (though the NT4 is a 90 degree XY stereo and the Sony is 120 degree). Overall, the Sony microphones impressed me with how well they held up against the Rode. But, I would rather record with the Rode NT4 into the D50 when I have the option. |
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